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contributor

Lydia Conklin has received a Stegner Fellowship in fiction, a Creative Writing Fulbright in Poland, a Rona Jaffe Foundation Writer’s Award, a grant from the Elizabeth George Foundation, two Pushcart Prizes, a Creative Writing Fellowship from Emory University, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Hedgebrook, Djerassi, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others, and grants and awards from the Astraea Foundation, the Puffin Foundation, the Massachusetts Cultural Council, the Alliance of Artists Communities, and the Council for Wisconsin Writers. Her fiction has appeared in a compilation of the best of the last twenty-five years of the Pushcart Prize and in Tin House, American Short Fiction, The Southern Review, The Gettysburg Review, and elsewhere. She has drawn cartoons for The New Yorker and Narrative Magazine, and graphic fiction for The Believer, Lenny Letter, Popula Magazine, Drunken Boat, and the Steppenwolf Theater in Chicago.