For Tony
Bone broth for dirges, for flowers
of fat, orange zest, and too many
clothes for this heat, for speeded
hearts and waiting for the steam
to go corporeal, for the Mozart
in the death metal, and greasy
soles, and a French hotel room
in June, a ceiling fan, an unmade
bed, a bass drum at the bottom
of the stockpot, despairing fish
aghast in their nets. Okay: our
nets. When I spoon the soup
over the herbs, into my mouth,
it is the only soup, a month
of soups, and lost buttons,
and all that diesel in the air,
of running screaming down
the street, overexposed
and underprepared for this
rain, the intensity and hotness
of it, the inadequate drainage,
the mud and your image in the mud,
sliding downhill to destroy
yet another small city on stilts.
This is not really a dirge, not
really music at all, but a heart
simmering in a sea of broth
until it becomes soft enough
to eat, coral or crab or
the inexplicable light of the algae,
it is the gut-cries of sous chefs
and the soaps of the dishwashers,
the gloves of them, the hot red
hands underneath, it is clean plates
and a knife coming at our heads
if the plates are cleaned too
slowly. It is a sunset in a kitchen,
pinkish only due to poor ventilation,
low ceilings and no sleep for two
days, receipts on the floor, scales
on the floor, such a commingling
of blood, an entire string section
of blood, and the water down
the drain and the smell of something
rotting in the walk-in that leads
only to perfect limes. The collection
of the land-locked, the isthmuses,
the bones in our fish and broth
and bodies and children. Here
is the table as the sky oven-
roasted. Scorched, tonight.
Still, I would feed you, though
the fork is inadequate, or,
my hands are. Did you see
how Dmitri de-shelled that
crab? Fresh news of the night:
its legs began to dance for you,
like blackbirds who, confusing
themselves for crows, ruin
your torso with their beaks. Your
persona—as I understood it—
would have loved this, approved
of the inversion, the mistake, the wild
feathers in the wild fluorescents.
I miss you already, as the birds,
ever-rabid, make themselves sick
while singing through your skin.
This poem is supported in part by the National Endowment for the Arts.