Contributor
Caitlin Jones is the Executive Director of the Western Front Society in Vancouver. Prior to this appointment she had a combined curatorial and conservation position at the Solomon R. Guggenheim Museum, was the Director of Programming at the Bryce Wolkowitz Gallery and was a freelance writer and curator in New York. Jones has curated multiple exhibitions and residencies at the Western Front with artists including Aleksandra Domanović, Instant Coffee, Oliver Laric, and Erin Shirreff. Her work with international organizations includes curating Western Front’s contribution to No Soul for Sale at the Tate Modern, London; co-curating Seeing Double: Emulation in Theory and Practice at the Solomon R. Guggenheim Museum, New York; and coordinating Nam June Paik: Global Groove at the Deutsche Guggenheim, Berlin. Through her work with the Variable Media Network she has developed policies and standards for the preservation and presentation of electronic and ephemeral artworks. Her writings on contemporary art and new media have appeared in a wide range of exhibition catalogs periodicals and other international publications including The Believer, Mousse and Rhizome.org.