I. AN UNANSWERABLE QUESTION
THE BELIEVER: I wanted to start with a moment you often return to in your writing: your involvement in the feminist movement. How did it come about?
VIVIAN GORNICK: I guess what happened was: it must have been 1970. I wasn’t in the New Left, but I was alive and feeling its consequences. And suddenly I saw the same thing that everyone else saw. I went to work for the Village Voice. One of the first assignments [the paper] gave me was to go out and investigate these “liberationist chicks” who were gathering on Bleecker Street. So I went out to investigate these liberationist chicks, and I came back a feminist.
We all saw something slightly different. The thing I saw was that we had been raised not to take our brains seriously. That was the single sentence in my head. Here I am forty years later, and I don’t think very much differently than that. [Laughs] That became the mother lode: We had been raised not to take our brains seriously. And from that all else followed. I was never an activist, in the sense that I didn’t really join a lot of organizations. I wasn’t out in the streets. But what I did become was a writer. My activism was in writing.
BLVR: Did feminism give you a new language?
VG: Feminism gave me a way to see myself in culture, in society, in history, and that was very important. Then psychoanalysis showed me that I might be neurotic because I was a girl but, as Chekhov might have put it, I alone had to squeeze the slave out of myself, drop by drop. So between Freud and women’s rights—to use those two brilliant perspectives was to gain a vantage point from which, as we used to say, I could see myself both personally and politically. And yes, that gave me language.
BLVR: You write often about the “clarity of inner being” that radicals and artists gain through their work. Was clarity something that you gleaned from feminism?
VG: What feminism did was make clear for me how much I longed for clarity. I got married twice, each time in a fog. I had so many complicated feelings I couldn’t understand. I hated being “Mrs.” from the first second each time. I didn’t know why. All I knew was how uncomfortable it felt. I hated being one half of a couple, without understanding that it wasn’t the husband or the man I hated, it was situation, the identity. It was just: I didn’t know who I was, so how could I be one half of something else?
That’s, I guess, how I use the word clarity....
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