In 2010, Ali Liebegott took a road trip by train. Destination: the Emily Dickinson house. Along the way, she interviewed poets—Dorianne Laux, Marie Howe, CAConrad, and many more. We’ll be reposting the series to celebrate the release of Liebegott’s fourth book this March, The Summer of Dead Birds.

When I was talking to poets while planning my cross-country trip, everyone kept saying, “You have to interview Amy Gerstler.” I knew nothing about her work. This was a result of my ignorance not her accomplishment—her books of poetry include Ghost Girl; Medicine; Crown of Weeds; Nerve Storm; Bitter Angel; and Dearest Creature. In addition, she’d just finished guest editing Best American Poetry 2010. So I wrote to her from Mexico.

Through our internet exchange, I found out that she was also an animal lover who lived with two of her own rescued dogs in a Los Angeles home, which turned out to be brimming with art. In addition to being a poet, she’s written reviews of art and books. The first poem I read of hers was “Fuck You Poem #45”. I couldn’t believe how much her poems reminded me of Emily Dickinson—in the way that there is a prayer-like or mantra quality to them, expansive yet compact. They’re often a poetic study of suffering. When we met in person, she answered each of my questions in an expansive, thoughtful tone, and I was struck by her openness and humility throughout the interview. We spoke on a cafe patio in Echo Park, Los Angeles.

—Ali Liebegott

THE BELIEVER: If you had the choice to make out with Emily Dickinson or Rilke, who would you pick?

AMY GERSTLER: [Thoughtful pause.] The two dead writers I’d most like to make out with would probably be Kafka and Virginia Woolf. But between those two I’d really like to alternate. One of the great things about sex is that who they are on the page and who they are in life, and who they are in public and who they are in private, and then their sexual self can all be really different and surprising or another door opening. It’s sort of like, whose work do you want to make out with? Really hard choice. They both look cute in pictures.

BLVR: I’m threatened by Rilke’s mustache. Can you talk a little about your relationship to Emily Dickinson’s work or to her as a poet?

AG: Emily Dickinson seems to me as a feature of the earth, like eucalyptus trees. Maybe because we’re American writers interested in poetry, and we’re women, and she is so elegant and...

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